Power of human connection

Everything can be watched on a computer for a long time, but why do people come to the cinema to see these films?

In philately, small stamps are used to transfer images of famous paintings by famous artists, but it is impossible to get a complete picture of the picture by looking at a tiny stamp.

On the big screen you suddenly see subtleties and such important moments that you think: “Oh my God! How did I not see this? This is the magic of the big screen.

- What's in these meetings?

- Gathering people is a very big job and it is important to create a special atmosphere in which they feel that I am waiting for them all, love, respect and appreciate their judgments about the film. I wonder when my opinion is not the same as someone else's.

We never see the 16th stone, as in the famous Japanese garden "Ryoanji", we see only 15. And another person approached the same topic from a different angle and saw a "stone" that you did not notice.

Then you wonder: “How did I not even see this!” and so grateful then for the puzzle that was added to my impression, and it became more voluminous.

— Which people come more often?

— Very interesting people of different ages and professions: students, artists, museum workers, teachers, journalists, accountants, sportsmen, massage therapists, doctors, someone working at the factory as an engineer or a worker. In general, there is no one!

They come from Clapboard, Prospector, Tagilstroy, Galyanka, even Yekaterinburg.

They come specially, they come to Krasnogvardeets! After work, cold, hungry, to watch a movie, to chat with me, with gourmands. It is very valuable and I really appreciate it.

Before each Film Club I am very worried, will I get to the point of waiting? Will it be interesting to people, important? Will we have a discussion? They will say: "Thank you" or "What a bad movie you picked up, Irina Anatolyevna."

On the other hand, I understand that we are all very different. We all have different expectations, different problems, vision and understanding of life. Therefore, it is normal that we do not agree in some opinions.

Did you like it?

It is important for some people to immediately talk about this topic after the film, while for others it is important to be in silence and digest what they have seen.

When they just leave, I think “Did you like it?”, but judging by the fact that they come again for the next film show, they like it here. I never force anyone to speak about the film, because this is a very intimate, delicate process and the person himself decides whether to go to public communication.

Children are sometimes brought to see films. For example, there was a wonderful film - "Riding the Whale" - just amazing for family viewing. There were so many thanks!

"Tell me what you love and I'll tell you who you are"

There is an interesting saying - "Tell me who your friends are and I'll tell you who you are." And I say this: "Tell me what you love in the Art of cinema, painting, theater, literature, music - and I will tell you who you are."

Intuitively sorting out his own problems, a person watches how another, for example, the hero of a film, acts in the same situation. He chooses those works that resonate with his inner state.

Preferences are like the litmus paper of a state of mind.

Artists often say “Art teaches nothing”

or does it teach?

Serious and profound Art - teaches. Not directly, but indirectly.

On someone else's example, we live another life, form a moral and ethical core and gain experience: emotional, mental and spiritual.

But to study or not is already a personal choice.

Does the perception of a film change over time?

Some films in my youth made a great impression on me, but then I could not say anything intelligible about them. And curious: "And now how?"

Now I am watching a film and I see in it with joy what I could not understand at the age of 20, because I was not ready. Our soul either grows or it doesn't. I am already an elegant age and I understand that life has not been lived in vain, that I have accumulated some kind of human baggage. I have pushed the boundaries of my soul and am able to deeply understand what this film is about and why the director created it - this is a wonderful moment.

Since I myself am growing as a person, then, probably, the volume of my soul attracts people. As a culturologist with a third education, I can understand trends, some things in general, tell about the language of art. I am savvy in this regard, and I must be like that.

Art is the most ancient human activity. What is the secret of "longevity"?

Art is created not only for professionals to look for some "isms" in it. It is created for people. Mayakovsky said: "If the stars are lit, then someone needs it."

Art exists even longer than philosophy and law. Why? Because it is intended, first of all, not to entertain, but to make a person a spiritual entity - to humanize.

When you see a “recruited” person, it is very interesting to communicate with him, because the main thing is not who you are, but who you are with. Relative to the other, you know yourself. This process, obviously, is being launched at the Cinema Club.

- What becomes the subject of discussion ?

— In “Kinogurman” we talk not so much about cinema, although of course the starting point is the film, but about life in general. The only reason for communication is the topic that the director reveals in the film.

— What does each event/film mean to you?

— For me, every film, every event is also a certain point of growth. I understand that I am not standing still, that I am developing, that I am moving. This is a very important point - that a person is always on the move.

— How are films selected? Or is there no principle?

- By principle!

· To have a deep idea
· To be professionally filmed
· To have good acting
· To show an interesting human story.

Why did the film "The Partner" evoke such a response? Because there is neither about bankers, nor about oligarchs, nor about crime - there are no such people in my environment. I am surrounded by ordinary people, and I want to know how an ordinary person, of the same status as me, is going through various life difficulties. How in them he remains a man, no matter what. Therefore, the story that is laid down there is important to me.

I also think that I have no right to overload people.
They are already overloaded with problems in life. If I choose some kind of serious film, maybe even difficult to perceive or with a tragic ending, then it should still give at least some hope, some “light at the end of the tunnel”.

For example, we watched V. Sigarev's film "To Live". A very difficult film and very difficult to perceive, but its message is life-affirming: “Whatever happens to you in life, live. Live. There is nothing more precious than life." We left the hall with a heavy feeling after this film, but it gave food for deep thought.

These films and meetings have been coming for many years. Why?

In our time, most of the intelligentsia is limited to a wallet, so that part of the trip to theaters and museums in Moscow and St. Petersburg. I traveled a lot in Soviet times, but now there is no such opportunity, and I create this communication artificially, at the expense of Kinogurman.

We go to exhibitions, philharmonic concerts, we even traveled together. Having met at the cinema, a lot of kind, good, interesting, smart and intelligent people have been added to our environment - this is great! We call, we meet, we make friends. 9

— The theater management, with gourmets and respect for the selection of films that I make, treats the selection of films that I make to Cinema.

I would like to see Zvyagintsev. We have already watched one of his films - "Exiled" - and he is amazing. “Faust” by A. Sokurov was also amazing! It's like a touch of classic to classic.

Unfortunately, I couldn't watch A. German. Because it causes such disappointment in a person, in humanity. Here and so it becomes difficult to stay afloat, remaining a man, and also to watch what will knock you out, drown you - it is very difficult and you need to do it carefully. However, I try to look at the new ones.

—

— I dive into the classics, especially the Soviet one, when you want to take your soul away. She is always just a fountain! Now Soviet cinema is interesting because it has such a constellation of personalities-creators, personalities-actors, their destinies, that it will always be relevant.

The amazing Karen Shakhnazarov in Line of Life, when he came to work at the Mosfilm studio, said:

“Outstanding directors worked there, from Eisenstein to Tarkovsky. When I came to the cinema, I found such a constellation! Sergey Bondarchuk, Larisa Shepitko, Leonid Gaidai, Elem Klimov, Eldar Ryazanov, Georgy Danelia, Alexander Alov and Vladimir Naumov, Andrey Tarkovsky, Emil Lotyanu worked at the same time. Each of these names is a brand. Ultimately, a studio is first and foremost about individuals, the people who work there.”

For example, recently we all watched and discovered such an amazing Soviet director as Ilya Averbakh.

— How do Soviet films differ from modern ones? ,

However, in the 60s there was an attempt not only to postulate, but also to make a person a value of society. And a galaxy of such personalities came out. Therefore, if we take that the director, that the cameraman, that the actor, that the artists, that the musicians - it was such an inflorescence.

When such amazing people meet, even the average movie is far superior to what we are watching today. Because today they are fond of special effects, and special effects are not yet the quality of the film.

What is the big disadvantage of our time now? The consumer society levels the individual. Why personality? The most important thing is that you consume and be happy. The main thing is that you have money. consume. The more you consume, the more happiness you will have - And what a life, such films.

— If we imagine that those directors whose films are already out of time would have modern technical capabilities? What would happen?

- there were no possibilities for creating special effects. For the film "Solaris" he made a seething ocean in a basin, it's just that the cameraman shot it amazingly. Although A. Sokurov is still alive, he also shoots on film, because there is still some kind of magic in it that distinguishes it from modern films.

Although it's not about the special effects. It's not about the palette and the number of colors that are in front of you. The fact is that you want to paint with these paints. Why are you making this film?

To show off and say, “Oh, how wonderful I am! Oh, how can I! What a genius!" or for another purpose? Or the director's soul hurts and he does not just make a film. He shoots about what touches him. As, for example, there was a program about Mikhail Efremov, who himself was imprisoned for social problems and therefore there were many performances of precisely this specificity. One of them even - "Steelworkers" - came to us in Nizhny Tagil with E. Estigneev in the title role. I was a girl then and I remember - it was amazing!

meetings

What were the most memorable meetings?

AR Sergienko, director, came to one of the first documentary film festivals. He made a film about his father, a famous documentary filmmaker.

The film ran for over an hour. Then I got up, I have to hold a meeting, but I have a lump in my throat and I can’t speak, because I understand how difficult it is to live next to such a person. How difficult it is and how you have to match and reach for it. I myself had a question: “How do you live next to such a person ?!” People felt that I was swallowing tears and there was such an amazing silence for him - "Of course, it's not easy." A woman came out of the hall, she just hugged him and said: “Thank you for the film, thank you for dad.”

Less than a month later he died. Heart attack. Didn't save. Then I realized what a titanic work it is to make a film. After all, it seems to everyone that it is so easy. And you also need to be able to work with people and not embitter them against yourself. Create a single team that will work with you and create a product. These are nerves, this is strength, this is such a titanic work, this is such a return of the soul.

Of course, the meetings with Andrey Shemyakin are not forgotten - this is our main film critic of the country, he runs the "Documentary Camera" and heads the guild of non-fiction films.

On TV-4, the employees were simply shocked that Andrey Shemyakin suddenly appeared on Tagil television.

It's almost like Putin, only from the cinema. An intelligent and amazing person.

K. Shakhnazarov, when he took the course, said: “Guys, I must tell you right away on the shore - you have no hope for the future. Be prepared for this." Here he is right, because actors, screenwriters, directors are graduating in tens, hundreds, but we know only a few. Why does cinema have such an impact on us? Because all the arts are synthetically intertwined in cinema. The range of possibilities for influencing a person is gigantic.

moments

What are your most memorable moments?

When people just walk away with different eyes and say, “Thank you, thank you for the movie! Thank you for the interesting information, for the impressions, there is something to think about, to reflect on, thank you. ”

This is the most memorable.

Jazz musicians performed "Kiss Mary Pickford" on violin and piano during the film in real time.

Jazz is music that is born here and now, and what and how the musicians will play depends on how the audience reacts.

That's why at that time I recommended people not to sit silently, but if they like something, to clap, to express their delight, to laugh. It turned out amazing. Even the musicians said: “We have been for so many years (this is not the first year in Yekaterinburg), we have never had anything like this.”

I just worked as a teacher for 38 years and I can communicate. Everyone has their own talent. Here I have a talent for communicating with people and the gift of language, the Lord God gave, so when I choose a film, the most important thing for me is to understand: about what, about what, for what and why I show it. And then I already know how to set up the audience, suggest important points, features of the construction of the film.

Watched an animation film festival and there were adult cartoons with adult problems. Short but capacious.

Many problems are really vital and difficult. The people came to have a little rest, but it didn’t work out, but it turned out to be a lot of mental work.

People came out with such an ambivalent feeling, because they got used to the joyful Soviet animation. It is especially suitable for children. So no one else filmed and does not shoot. Our actor, Oleg Vidov, made his fortune in America only by showing the classics of Soviet animation.

More “Crossroads” by Nastya Miroshnichenko. She brought a film about the difficult fate of the artist who lived at the station.

Wonderful, intelligent, nice person, not embittered. Showing the film in different cities, they collected money to buy him an apartment.

I told this to the guys from the art graph and they made a student exhibition at the ECHO cinema club, and after the film you had to see how they got their last pennies out of their wallets. Children! Students! They put it in that piggy bank - we collected about 2 thousand. But the money was so expensive! The cinema invested a little more, and they were sent to Belarus.

A piece of ours is now in this artist's apartment. It's amazing! This is amazing! The cinema exists for this, and not just to show off curly here.

— Why cinema?

— My music students are so emotional when they came out of the film because of overwhelming feelings – they cried. She consoled me and asked:

- Listen, girls, can you not show such serious films to you?
- "Oh, what are you, show me!" - and tears flow.

In real life we ​​lack some big, strong, kind, good, cleansing emotions, experiences. Not enough catharsis. When these tears or laughter happen at the cinema club "ECHO" or "Kinogourmet" - this is such a purification. It was not for nothing that in ancient Greece, the municipalities of Greek cities gave out specially free tickets to theatrical performances to the poor, because it was believed that periodically going through experiences, a person cleansed his soul from suffering, from pain and was filled with new positive, creative emotions.

It is from this point of view that I select films for both children and adults. I try, at least. I don’t know how I do it, I’m also a living person, but since the club exists, I’m probably on the right track.

Nature, structure, types” online in full📖 — V. P. Tanaeva — MyBook. Dedicated to my mother Tanaeva Anastasia Alexandrovna. She danced the waltz with me at the age of 96. Lived 98 years and 3 months, before reaching 100 years exactly 21 months. Conquer yourself and conquer the whole world. … To truly understand a person and interpersonal relationships in order to make them more perfect is still the most humane and most beautiful of all tasks. S. L. Rubinstein © Institute of Psychology of the Russian Academy of Sciences, 2019 1.1. Evolutionary improvement of the psyche One of the fundamental problems of psychology is the problem of analytical allocation of units and levels of improvement of the psyche in the process of evolution. It is with this problem that all approaches, concepts and theories of psychology are somehow connected. Mental reflection was formed in the process of evolutionary development as a function of the body to regulate its interaction with the environment. For survival, it was necessary to adequately reflect the surrounding world, the structure of which formed the structure of the psyche. By "mental" I mean the subjective reflection of objective reality. The units of this subjective reflection must correspond to the units of the objective world, and we must look for them in its differentiation. As a starting point in singling out the types and levels of mental phenomena, we take the position that the structure of the reflecting corresponds to the structure of the reflected. Reflected - the surrounding reality, reflecting - the psyche. Billions of years of evolution separate us from the beginning, the source of the existence of the living. The reflection of the surrounding world by the first living organisms was of a physiological nature, similar to the irritability of plants, their reactions to heat-cold, light-darkness, gravity, etc. This is also the sensitivity of lower animals or higher animals and humans at the initial stages of their ontogenesis. “So, from the point of view of the hypothesis we are developing, sensitivity, as a rudimentary form of mental reflection, arises in the course of the development of simple irritability inherent in any, even the simplest, viable body” (Leontiev, 1982, p. 66). Mental regulation of the interaction of the animal organism with the environment arose at a certain stage of development as a more perfect, in comparison with the physiological, form of reflection. The first elementary mental reflection of the external world had no differentiation: the world was perceived and reflected as an integral reality. A new property of the living (psyche) was improved in the process of evolution. “The initial sensitivity of animals, apparently, is little differentiated. However, its development necessarily leads to the fact that some influences are more and more accurately differentiated from others. Undifferentiated sensitivity turns into more and more differentiated sensitivity, differentiated sensations arise” (Leontiev, 1982, p. 56). The first differentiation was supposed to reflect the most fundamental division of the world into living and inert matter. “There are no transitions between the living and inert natural bodies of the biosphere – the boundary between them throughout the geological history is sharp and clear… The substance of the biosphere consists of two states, materially energetically different – ​​living and inert” (Vernadsky, 1989). In the initially integral psyche, a formation of a higher order appears - a new phase of its evolutionary development. In the process of evolution, when the material world is divided into living and inert matter, a division of the mental reflection of the activity of a living organism arises. The first differentiation: a reflection of activity directed at the inert body and at the living. “Thus, at a certain stage of biological development, the formerly unified, complex process of interaction that carries out the life of organisms, as it were, splits into two. Some influences of the external environment act for the organism as determining (positively or negatively) its very existence; others - only as stimulating and directing his activity" (Leontiev, 1982). Further improvement is connected with the differentiation of the living into plants, animals and humans. Each new structural component of the psyche arises during the restructuring of the previous layer, which has exhausted its possibilities of adaptation. The primary sphere of mental reflection is being improved. Qualitatively new components of the psyche appear, corresponding to a greater differentiation of the world. Thus we have arrived at the three spheres of psychic phenomena. The first, most powerful and most ancient, penetrating all living organisms that have a psyche, the most branched basic sphere of psychic phenomena. This sphere of the psyche is characterized by the integrity of the reflection of the surrounding world without its differentiation. The second component arose at a certain stage of evolutionary development and is characteristic not of all living organisms, but only of their parts. It occurs at the "moment" when the functionality of the first component is exhausted. A characteristic feature of this level of the psyche is the differentiation of the surrounding world into living and inert components. Finally, when the functionality of the second component was exhausted, further improvement required the emergence of a third sphere of mental reflection. 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