That's not love
#ThatsNotLove: Helping teens spot relationship abuse
Editor’s Note: Kelly Wallace is CNN’s digital correspondent and editor-at-large covering family, career and life. Read her other columns and follow her reports at CNN Parents and on Twitter @kellywallacetv.
Story highlights
#ThatsNotLove educates teens about emotional abuse in relationships
Young women 16 to 24 experience the highest rate of domestic partner violence -- nearly three times the national average
CNN —
Looking back, Mattis Collier, now 20 and a junior at the University of South Carolina, can see all the warning signs.
“It was a very quick relationship. I didn’t know him very well … but the jealousy, the rage, all of that stuff came pretty soon after,” said Collier about her ex-boyfriend, whom she started dating early in high school.
There was so much isolation, she says, remembering how he went through her phone one time, deleting all of her male friends in her contacts and on Facebook, and how he told her she couldn’t talk to guys or go to parties.
Reluctant to get too specific, she says the relationship was abusive in multiple ways.
Ultimately, she cut off communication with him after she started college.
“I was very blind to the situation, and you know, when it’s your first love and all of that, you really think that that kind of thing is, ‘Oh it won’t happen again,’ or ‘He was just so mad,’ or ‘I lied to him so I deserved that,’ but it progressively got worse.”
Yeardley Love was beaten to death by her ex-boyfriend in 2010.
Courtesy One Love Foundation This summer, Collier’s father wore a “One Love” baseball cap to support the One Love Foundation – an organization created in honor of Yeardley Love, the University of Virginia lacrosse player who was beaten to death by her ex-boyfriend just three weeks before she would have graduated in May 2010.
Collier’s father encouraged her to check out the foundation. “I think that was his way of saying, ‘I’m wearing this hat in honor of a girl that was not as lucky as you.’”
So one night she went up to her room and looked up every news article and video she could find about One Love, and made a decision to create a campus organization called Team One Love at her college this past fall. “I was like, ‘OK, if I don’t do this for anyone else, I’m going to do it for myself.’”
Mattis Collier's sign says, "I will never let you go even when you want to. #ThatsNotLove"
Courtesy Mattis CollierThere are now 40 active Team One Loves on college campuses across the country and nearly 6,000 Team One Love members. The goal is for the students to take the lead in educating and empowering their peers about the signs and dangers of relationship abuse. It’s all part of a #ThatsNotLove campaign that One Love Foundation officially launched back in October.
But this goes way beyond a campaign. The One Love Foundation hopes #ThatsNotLove starts a movement.
“I think the idea behind #ThatsNotLove is how can we think of a lot of different, creative ways to emphasize the same core message, which is that there is a difference between relationships that are about love and relationships that are about control, that you can see in some of the earliest phases of a relationship behaviors that are healthy and unhealthy,” said Katie Hood, chief executive officer of the One Love Foundation.
“We’re trying to sort of make this very clear, that every kid has a stake in solving this problem. Every kid has a stake in working for change and thereby make it easier for people to do so,” she said.
To drill that point home and get to teens and college students where they are – on social media – One Love worked with an outside agency to create “couplets,” eight digital shorts featuring animated emojis, which in a very clear-cut way indicate how intensity, obsession, isolation, disrespect, blame, control, anger and put-downs are most definitely not love.
Isolation
Since the couplets were launched this month in honor of Teen Dating Violence Awareness and Protection Month, they have been viewed nearly 5 million times and counting, according to One Love.
“They demonstrate exactly what we’re trying to say with ‘That’s not love,’ but they do it a lighthearted way,” said Sharon Love, Yeardley’s mother and the founder of the One Love Foundation. “They’re not threatening. They’re very simple but they bring the point home directly.”
Added Lexie Love Hodges, Yeardley’s sister: “They can capture a whole relationship in five seconds.
” People don’t always recognize relationship abuse when they read an article about it or listen to someone talk about it, she said, but here they can see the behavior demonstrated in a way they might click with.
“The topic of relationship violence is so heavy. I think that’s why it’s not talked about often and I think that the couplets … make it more approachable for friends to bring it up in a different way,” she said.
In addition to the digital shorts, two public service announcements also titled “That’s Not Love” have been released, and have been viewed more than 5 million times on Facebook and YouTube since October.
#ThatsNotLove campaign | Because I Love You - Delete | One Love Foundation
Relationship abuse is an issue that was never discussed in her household, Sharon Love said during a phone interview from her home in Baltimore.
“We were so clueless,” she said, adding that she and her family knew nothing about it and didn’t feel like it was a topic they needed to be concerned about either. “We didn’t realize there were signs, and we’re trying to turn that upside down. … The signs are somewhat obvious but they’re masked as love. You can think that they’re madly in love with you when they’re really just trying to control you.
”
Love said she also had no idea about the statistics – how one in three women and one in four men will experience some form of physical violence in a relationship in their lifetime, according to the National Coalition Against Domestic Violence, and how young women 16 to 24 experience the highest rate of domestic partner violence – nearly three times the national average.
“I feel like what we thought of domestic violence was of someone that was married with children, that was stuck in a situation, that was dependent on the abuser and couldn’t get out,” said Love, saying what came to mind was Farrah Fawcett’s portrayal in the movie about domestic violence, “The Burning Bed.
”
“That was like stuck in my head. That’s what relationship violence is,” she said.
It didn’t ever occur to her that relationship abuse could impact young people, let alone that young women in Yeardley’s age group were at the highest risk.
On May 3, 2010, when Yeardley was just 22 and weeks away from her college graduation, Sharon Love awoke to police officers at her front door. Life as she and her family knew it was completely over.
“It was incomprehensible to me that someone I knew, someone that Yeardley cared for, had taken her life,” she wrote last year in a letter posted on the One Love Foundation website. (Yeardley Love’s ex-boyfriend George Huguely was convicted of murder and is currently behind bars.)
Determined to raise awareness among teens and help them recognize the warning signs of abusive relationships, Sharon Love started the foundation in the hopes of doing for relationship abuse what Mothers Against Drunk Driving has done for drinking and driving.
“They changed a whole mentality, with generations now thinking it’s appalling to drink and drive.
My generation didn’t think anything of it,” she said. “So we’re hoping that relationship violence will be appalling behavior and something that you speak up against right away.”
The foundation created a film called “Escalation,” which showcases a fictional relationship between two students, Paige and Chase, that starts to turn very wrong, very quickly. In the film, Chase wants to be with Paige all the time, gets jealous when she spends time with men, begins to isolate her from her friends and grows increasingly more angry and violent as she starts to pull away. The film has a tragic ending and concludes with photos of young women who in real life were killed by their abusive partners.
I watched the film last year as it was being rolled out on college campuses around the country.
It left me shaken and so upset. I watched it again before writing this piece and feel exactly the same way.
Charlie Mahoney/Prime for CNN
Teens trained to spot drama before it turns dangerous
So far, the film – along with a 45-minute workshop led by student facilitators – has been shown nearly 700 times at colleges and high schools across the country, with nearly 35,000 students participating. According to Hood of One Love, nearly 90% of students who participated in workshops said they thought it should be required viewing at their school, and 97% said they would recommend it to a friend even if it wasn’t required.
The goal, an ambitious one, is to have 100% of students on every campus in the U.
S. see the film and participate in a workshop, said Hood.
“Because movement is our goal, we just want as many eyeballs to see it as possible,” she said. “We now think that if ultimately we want to change the social climate on campuses, so that people can speak up when they see things, then it can’t just be a pocket of kids that see it. It has to be many, many more.”
I wondered why One Love wouldn’t just release the film on YouTube and allow teens across the country and around the world to see it. Hood said there are two reasons. First, it could be triggering for someone who is an abusive relationship, she said, and you would want to make sure there were resources available or you could communicate to that person what resources are available when they watched it.
And second, she said, while the film is powerful, the workshops are more powerful.
“You walk in, you think this has nothing to do with you. And in 38 minutes, which is the length of the film … you’re sort of rocketed to not only understanding the issue, being more aware of it, you recognize that you’ve seen it before,” said Hood. “You have a connection to it.”
Because ultimately, that’s part of the sad reality of relationship abuse. We all most likely know someone who has experienced this.
“It doesn’t discriminate.
It’s not just poor people. It’s not just people without fathers or mothers or guidance. It’s everybody. It’s your sorority sister. It’s your friend. It’s your sibling. It’s your child,” said Mattis Collier, who hopes to be able to work with One Love after her graduation in December and then go to law school to work on the issue of domestic violence in college athletics.
“And I think it’s very important for people to realize that you need to talk about it and you need to explain it while you’re younger. It’s not just bruises that are giveaways for an abusive relationship. … It’s how someone talks to you. It’s how someone treats you. It’s how someone talks about you to others.”
Collier wishes the “Escalation” workshop were required at her high school and college.
Right now, just over 40 schools require it with a subset of students, including athletic teams, fraternities and sororities, and freshmen, according to One Love.
“I wish that this was a required seminar for high school, for college students, because the lack of knowledge and education awareness in our country is astounding,” said Collier.
As One Love looks to the future, it hopes not only to increase the number of schools where “Escalation” workshops are held and also increase the number of schools where they are required, but also to deepen the engagement of students, with more Team One Loves – more students like Collier facilitating workshops, training students to be workshop facilitators and holding “That’s Not Love” events where they write words on sheets to match what love is and what it is not.
“It may sound crazy to have these ambitious goals about starting a movement and getting to 100% of the kids on college campuses,” said Hood, “but it’s sort of pretty simple what we’re trying to do. We’re trying to just wake people up to their personal connection and get them to develop their voice and understanding that they have a role to play.”
What drives Sharon Love and the rest of her family is trying to prevent what happened to Yeardley from happening to any other young person in a relationship.
“I feel pretty confident already that we are saving lives,” she said.
“We’ve gotten so many letters from so many people that have gotten out of a bad situation, and really just one of those letters makes it all worthwhile.”
What do you think is the best way to try to prevent relationship abuse among teenagers? Share your thoughts with Kelly Wallace on Twitter @kellywallacetv or CNN Health on Twitter or Facebook.
That's Not Love (Feat Lil Wayne) Lyrics
Artist: Fabolous (Feat Lil Wayne)
Mixtape: The Soul Tape
Year: 2011
Send "That’s Not Love" Ringtone to your Cell
[Chorus & (Lil Wayne)]
That’s not love (I can’t feel my face)
That’s not love (on the real side)
That’s not love (ya digg)
Not real true love
[Verse 1 – Lil Wayne]
Snakes in the grass, so I stay on the pavement
Survived the battle with animals and cavemen
And dead animals, and dead men
I’m all in, and my only friend is Amen
Keep your mouth closed, you wanna know why you die?
The answer’s right under your nose
Exposed to the street, in the game I don’t cheat
I just play my position, get MVP
I get money, don’t shit come free
It’s my life and I run it even with numb feet
Keep my business in my pocket, don’t wash with bleach
And I never show my hand, not even to me
See…
[Chorus]
That’s not love
That’s not love
[Verse 2 – Fabolous]
Uh, say what’s on your heart if you’re real
Cause the scars you can’t see be the hardest to heal
And I used to chase money, now I have it brought
Cause you can only chase something that you haven’t caught
If there’s a summertime in hell, it’s not as hot
So you empty clip niggas ain’t got a shot
These diamonds on my neck are a eyesore
Now you decide if their to die for
Advice to my haters, do what I say now
Report to the nearest roof and take the fast way down
Thought it was love, how foolish of us
I do me, she do her, sometimes we do each other
[Chorus]
That’s not love
That’s not love
[Verse 3 – Lil Wayne]
Look, as the crooked world revolves
Love spelt backwards is evol
And evil spelt backwards is live, or live
And when death comes you better have lives to give
I spit that real talk like knives to ribs
And rats die ugly, die with kids
These niggas is snitching and still living
I hope my words are like razors to the bitches
Niggas pretend like they there to the end
But when it go down they fuck around and be them
That blood look familiar when it’s leaking
If you scared, go see a Deacon nigga
That ain’t love
[Chorus]
That’s not love
That’s not love
[Verse 4 – Fabolous]
Life is but a dream, ain’t always what it seem
Meanwhile get your cake red velvet butter cream
Raise your glass and lets toast to when we didn’t have
Hustle plus muscle equal success, I did the math
I see these haters and pass ’em, yeah they ’round
I be on my way up, they be on they way down
Now I can sit and talk shit like Skip Bayless
Looking for these shoes baby you can skip payless
Lifestyle A-list, young black and famous
Bunch of bad bitches in an iPod playlist
Just another page in my success story
I make my worst enemies wish the best for me
[Chorus]
That’s not love
That’s not love
Send "That’s Not Love" Ringtone to your Cell
Feel free to contact us if you think some of the lyrics above are incorrect.
» Back to “Other” lyrics | » Back to all lyrics
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"This is not love" 1985. Viktor Tsoi and his KINO
"This is not love"
1985
1. This is not love
2. Spring
3. Leave
4. City
5. This is love
6. Near me
7. I announce my house
8. Sasha
9. Trust me
10. Children of the courtyards
11. Music of the waves
In the spring of 1985, Tsoi suddenly decided to record a new album with Alexei Vishnya, without waiting for the end of the recording of the Night album. Problems began with the Tropillo studio, the KINO group had to record material for the Night album in fits and starts. And Tsoi, who by that time had written many songs about love, decided to make them a separate album.
And Cherry's studio, located in the immediate vicinity of Tropillo's studio, was very convenient.
And so, in the summer of 1985, having finally abandoned the unfinished album "Night", the group gathered at Cherry's studio to record the next studio album - the album "This is not love."
The album turned out to be relatively "light" in mood and became one of Tsoi's favorites.
As Cherry later told, the equipment was the same as Tropillo had when he worked on the albums "Electricity" and "Acoustics" of the Aquarium group. Cherry tried to create the best possible mood for the filmmakers. As a result, all the material was recorded in a couple of weeks, bassist Alexander Titov, who was invited to the group, played the bass guitar for all the songs in one day, and the album was almost ready. Few people know, but Vsevolod Gakkel was involved in the recording of the song "Sasha", who accidentally lingered in the studio after recording the "Acoustic Commission".
The album “This is not love” was released earlier than the already recorded but not yet mixed album “Night”, and, according to witnesses, Tsoi was in the best mood, because he finally recorded a full album in normal quality.
According to Cherry, it was this period of Tsoi's life and work that he would like to remember forever, because that is how he loved Tsoi - reckless and sweet, ready at any moment to grab the guitar and sing.
Viktor Tsoi: The conditions of the studio were such that there was no choice, three guitars and a rhythm computer, no overlays. At first it depressed me, but in the process of work I even began to like it, and by the end of the recording we were already striving for such a sound 278 .
Five songs recorded at the same time did not make the final cut of the album - "Brotherly Love", "Let Me Go", "You Could", "Love Is Not a Joke", "You Wrapped Me around Your Finger", - which, after Victor's death, were released on the disc "Unknown Songs".
Yuri Kasparyan: Only when we recorded the album “This is not love”, I realized that I could let someone listen to a few tracks and brag. I couldn't brag about the previous material.
“This is not love” is the first album that I could shamelessly show, give to listen, because the previous ones turned out to be very experimental. Instead of drums, there is not even a drum machine, but some kind of self-made monster, I recently found out that it was the device of the Coffee group. He had no cymbal at all, and the hi-hat sounded like scissors. Since the guys listened to new modern music, they determined the sound of this machine to be very fashionable. This is probably where it came from that this is a trendy album. I am very pleased with them 279 .
Georgy Guryanov: And I was happy
and boasted without a twinge of conscience, although there are no live drums on this album. It's a pity, of course, but it was not possible to write them down. We didn't have the opportunity to record music properly at all. At the Tropillo point, only a drum machine was recorded, it was also impossible to put drums in Cherry's apartment, they wrote in some theater, where Tsoi and "Fish" were once recorded.
Nothing good, in general 280 .
"This is not love" was the last "romantic" album of "KINO" - all subsequent albums of the group came out entirely "heroic" and very serious.
This is not love
You often pass by without seeing me
With someone else I stand without breathing
I know that you live next door
You are walking slowly slowly
Oh - oh but it's not love
Written in 1985. Despite the fact that it is part of a cycle of songs about love and tenderness, about the feelings and experiences of a guy in love, many Kino fans are sure that there is some kind of warning in it. The line "... I can’t wait any longer, I can die” is perceived almost as prophetic, speaking of Victor’s death. All this, of course, is complete nonsense. There are no prophecies and the theme of death there and not even close.
Aleksey Vishnya: When "This is not love" was recorded, it was spring, it's time for love songs 281 .
Alexei Kovzhun later recalled how during the filming of the film "The End of the Holidays" everyone teased Tsoi, and he finally admitted that the song "This is not love" was written under the influence of "The Smiths". After that, Choi began to tease everyone, since no one knew this group. They say that when on the set of the film they listened to some new music, for example, “Prince”, accompanied by port wine, they started laughing: “Do you remember, “KINO” has such and such music ....” Tsoi was offended by such parallels: "You have a very strange sense of humor."
Performed at home acoustic and electric concerts for a number of years. It is the title track of the album "This is not love."
Spring
Spring
persistent runny nose
Spring
the sun is shining again
And me
wet feet
Spring
I'm going for a walk again
Song of 1982. Written in tribute to Elvis Presley and Neil Sedak.
Initially prepared for the album, which Viktor Tsoi and Alexei Rybin tried to record at the Leningrad MDT in the winter of 1982 years old.
Unfortunately, the recording of that album did not work out. But the song was constantly performed at acoustic concerts of different years, and was also present in the KINO electric performance program until 1987. Mike Naumenko, who was touched by the words “spring, I no longer heat beer,” composed for Tsoi the response song “Summer” with the line “summer in the mouth smoking a cigarette.” Sometimes musicians, giving joint apartment concerts, arranged an exchange of these songs.
Officially included in the album "This is not love", recorded at 1985 in the studio of Alexei Vishnya.
Go away
Leave but leave me your number
I may call
In general, I don't know why
I need these numbers
And I don't even remember anymore
What's your name
And now for me
Telephone numbers as ciphers
Go away
Leave the phone and go
Tsoi jokingly called this song, written in 1985, "Let's go!".
Performed at home acoustic concerts in different years. Included in the album "This is not love."
City
I look at the calendar, I know that winter is coming
Our street is changing colors before our eyes
Behind the bars of yellow foliage I see birds
My twentieth autumn drives me crazy
I love this city
But the winter here is too long.
I love this city
But the winter is too dark here
The song was written in 1985. There are two draft versions of it. Performed at acoustic home concerts in different years. Included in the album "This is not love."
This is love
Every day you come home when it's dark
Every day you take the subway for a long time when it's dark
And she lives in the center of all cities
And you want to be there
But it's already dark to go home
Written in 1985. Performed at home acoustic concerts in different years.
Included in the album "This is not love."
Next to me
You call me every day
I don't know how to be
I don't know how to give
You understand that I'm not the same anymore
I used to love you
But the heart no longer sings
And since our first meeting
Soon there will be a whole year
You look so out of date
Next to me
Georgy Guryanov: This is a trendy song. Highly. “You look so out of date next to me”… Absolutely a masterpiece. Like several other songs, it was recorded in one day for the album "This is not love" 282 .
Performed at home acoustic concerts in different years. Included in the album "This is not love."
Nuclear Free Zone (Peace March)
There is some falsehood in this motive
But where to find those who will hear it
A grown child brought up behind a closet
Now you see the sun take it yours
I announce my house
Nuclear-free zone
I declare my yard
Nuclear Free Zone
I announce my city
Nuclear-free zone
I announce my
At the end of May 1984, the 2nd festival of the Leningrad rock club was scheduled in Leningrad, which, according to the memoirs of Marianna Tsoi, "Vitya dreamed of for two years.
"
"KINO" in full force rushed to the pre-festival audition. Arriving at the rock club on the appointed day, they played a short program in front of the selection jury, but the performance seemed rather weak to the jury members, and the game was sluggish and uncertain. As a result, the band was denied a performance.
Maryana Tsoy: As an administrator, I went to a rock club and yelled at the first cloakroom attendant I came across. This, of course, did not bring results. But thanks to the efforts of some devotees, who, by the way, were not part of the selection jury, but turned out to be more far-sighted, thanks to the participation of BG and a call from Troitsky from Moscow, KINO broke through to the festival 283 .
However, it turned out that the festival is dedicated to the struggle for peace, and all groups need to perform one song on this theme, written by one of the Soviet composers. Tsoi resolutely refused to sing something from the “soviet” writers, ”and wrote“ Nuclear-Free Zone ”specially for the performance.
And who will say that Viktor Tsoi is not a Soviet composer?!
The song stunned the jury. They decided that it was she who, in the solo performance of Tsoi, would open the festival, and the performance of the KINO group itself would complete it. It happened on May 18, 1984.
The festival lasted three days. Of course, for three days the audience was literally tired of the “diarrhea in the ears” and it was quite difficult to make them shake themselves and listen. "KINO" at that time did not go on stage with its full complement for more than a year. Tsoi played acoustic several times in apartments or in tiny halls - that's all. And yet he made himself heard! The song "Nuclear Free Zone" was recognized as the best anti-war song of the festival.
According to Roxy magazine 1984: Tsoi opened the festival with one anti-war song called "I declare my home a nuclear-free zone." Tsoi was good, he managed to make a very listenable work from the anti-war topic that stuck in his teeth.
"KINO" was the opening of the festival. They have not performed for more than a year, and even earlier they did not spoil the Leningrad rock fans too much with concerts, but made victorious raids on Moscow from time to time. Their current triumph has been prepared by long work, studio recordings going from hand to hand and the fact of the existence of Tsoi, from whom it was impossible not to expect something of this kind sooner or later. The performance of "KINO" pleasantly shocked with a real rock winding, freshness and spontaneity. Those who reproach “KINO” for being primitive are deeply wrong, because they are either in the thrall of age-related snobbery or false ideas about the now ambiguous concept of “professionalism”, and cannot distinguish primitivism as a style from primitive. Forward, "KINO", we are waiting for the next series! 284
From Viktor Tsoi's interview :
- It turns out that one should write only about what one has experienced? You wrote the anti-war song "I declare my home a nuclear-free zone", although you did not experience the horrors of war?
- You see, although this topic has been developed by many, in fact, no one takes it seriously.
Those who write pseudo-patriotic and pseudo-anti-war songs are not believed. I wrote this song because the theme of the war really excited me and still excites me 285 .
By all accounts, the finale of the festival, thanks to KINO, turned out to be wonderful. As Maryana Tsoi later recalled, the painful period of failures played a positive role. St. Petersburg rock audience was shocked. And it was from this rock festival and the "Nuclear-Free Zone" that Tsoi's star journey began.
The song has been played at the band's acoustic home and electric gigs over the years. Included in the album "This is not love."
The song was written in 1985. Included in the album "This is not love."
Draft version of the song "Children of the courtyards"
I know that if it's winter it must be snow
And if summer should be snow
It has always been like this for many years
and D.P.D. know that it is so
I know that if it's night, it must be dark
And if morning should be light
And I'm singing about this hoping [no] that
children of P.
D will hear me
We are the children of the courtyards
And we know where the light is
Song of 1983. Dedicated, most likely, to the Leningrad get-together - "children of passing yards." Performed at home acoustic concerts in different years. Included in the album "This is not love."
This text is an introductory fragment.
Love (“Love is a quiet happiness…”)
Love (“Love is a quiet happiness…”) Love is a quiet happiness Love is a bright sunbeam In the fog of earthly bad weather Shining to us from behind the clouds. Love is a breath of fragrance spring fragrant flowers, Love is sunset kisses On the clear edges of the clouds. love is feminine
Chapter 5
Chapter 5 I love you now, not secretly - for show, Not "after" and not "before" I burn in your rays.
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1985
1985 735. Kunetskaya L.I., Mashtakova K.A. KRUPSKAYA. - 3rd ed., add. - 1985. - 368 p.: ill. — (Issue 531). 150,000 copies. 736. Tishkov A.V. DZERZHINSKY. - 4th ed. - 1985. - 384 p.: ill. - (Issue 541). 150,000 copies. 737. Sharipov A.A. CHERNYAKHOVSKY. - 3rd ed. - 1985. - 304 p.: ill. — (Issue 584). 150,000 copies. 738. Kartsev V.P. KRZHIZHANOVSKY. - 2nd ed. —
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Album "This is not love" (1985)
Album "This is not love" (1985) 1.
This is not love You often pass by Not seeing me with someone else I stand without breathing I know that you live next door You go slowly Leisurely But this is not love And in the evening I stand under your window you water the flowers you water the flowers And I am before dark
1985
1985 January, 15–16 Dobronravov's death Stanislavsky played Astrov in the first performance of the Uncle Vanya Art Theatre. And the comparison with Schopenhauer was more appropriate in his mouth. Indeed, isn’t Astrov’s thought: “What do most people fill their free time with? Boredom,
Chapter 5 "Love is forever love..."
Chapter 5 "Love is forever love..." love you now not secretly - for show, Not "after" and not "before" I burn in your rays. Laughing or laughing but i love now And in the past - I do not want But in the future, I don't know.
.. We came to a very delicate topic: "Love in the life of Vladimir Vysotsky."
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She left dedicated to Bulgakov
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| 1 | This is not love | 3:29 | |
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