Mood of movie

Essential Guide • Filmmaking Lifestyle

Mood is the overall feeling of a piece of writing or film. In other words, mood is the feeling that is created in the reader or viewer by the work.

Perhaps you’ve experienced a song putting you in a good mood or a bad mood. A movie or book can do the same thing, of course.

Mood can be caused by many things:

  • The subject matter of a story.
  • The language used by writers and directors (for example, it might be obscure or simple).
  • The actions and interactions of characters.
  • The tone of the work (the attitude toward the subject matter), which is one of the nuances of mood.

In simple terms, mood is the overall feeling of the writing. Simply put, a sentence with a sad mood might say, “It’s raining outside.”

A sentence with a happy mood would say, “The sun is out!” In more complex terms, it may be helpful to think about how writers use language elements in order to create mood.

Sometimes, it may be more interesting to look at how the characters’ actions and dialogue make the mood.

Let’s take a look.

What Is mood

What Is mood?

Mood is the feeling that pervades a literary work or a film. It may be conveyed through the setting, characterization, syntax, dialogue, narration and imagery.

The term “mood” may also be used to describe visual elements of films as well as music and sound effects.

In this context, mood is often referred to as “mood music.” Mood elements in films are designed to complement and enhance onscreen action and emotion.

In literature and film, mood is conveyed through many different forms such as character development, dialogue and narration.



For example, in the novel The Red Badge of Courage, Stephen Crane conveys mood through character development: Henry Fleming’s nervousness before battle reflects the mood of panic that engulfs him at that point in time.

In this way, mood becomes an integral part of the story.

What Is Mood?

First, let’s face it: writing can be boring. A lot of young writers think they are going to have to drag themselves through a thousand dull words until they finally get to the good stuff.

And don’t tell them that mood is one of the primary tools they’ll use in writing-they don’t want to hear it. They just want to have fun.

A mood is a feeling or atmosphere that exists within a writing piece. A writer may include items in their work to deliberately evoke a specific mood and give the reader a new perspective on the subject being written about.

By using items and techniques like allusions, similes, and figurative language, a writer can create certain moods in their work.

Mood is defined as the “general feeling” of an author’s section or selection from a piece of literature.

It is best illustrated through imagery, which also helps to intensify the mood. Imagery consists of four key elements:

  • simile,
  • metaphor,
  • personification, and
  • hyperbole.

Mood directs the emotional intensity and tenor of a work to be read. Mood can be defined as a writer’s use of words to evoke emotional or mental states in the reader.

The reader feels what emotion or mental state is to be experienced.

For example, in this poem, “A Child’s Funeral,” by William Blake, the mood and feeling of sympathetic joy are evoked by the words “soft western winds played upon my cradle; while dark southeastern storms make my spirit toil and labor in anguish.”

What’s The Function Of Mood In Literature?

Everyone has moods. We know this from personal experience from being happy, sad, or angry at times.

How about characters in literature? Do literary characters have moods too? Do the writers use words to describe the mood of the characters? 

If so, how does it affect how we read and understand the story? 

This article provides a basic overview of how writers use the mood created by their use of words, phrases, and sentences to affect their readers.  

Mood is about the atmosphere that the writer creates for their readers in order to convey a feeling. Mood is a common element in literature.

Whether it is love or hate, happiness or sadness, or even boredom and contentment, all of these feelings can be conveyed through a mood. All emotions have different connotations. 

The definition of mood is the state of mind in regards to one’s feelings, it is the predominant emotion of a piece of writing or of a character within a piece of writing.

What’s The Function Of Mood In Film?

Now, here comes the question? What’s the function of mood in a film? Because without mood no film, or no shot rather, or any media for that matter can be appreciated in its true spirit.  

And what is mood but a kind of atmosphere in a film that results from a collection of sensory effects?

A major part of the entertainment industry is to entertain people, while also capturing their attention. Mood in film is one major factor that contributes to both of those aspects.

It captures your attention and enjoyment, while at the same time getting you excited to see what happens next. In order to create certain moods or atmospheres during a film, filmmakers use a variety of techniques.

Mood and tone in film should not be confused with setting. While mood and tone in film are secondary to the setting. The setting is basically the overall location and environment where the story takes place.

From an academic standpoint, there is an abundance of literature on mood and tone in the film, but many filmmakers are still trying to figure out how best to implement these effects within their movies. A challenge for filmmakers is creating a completely imagined world that immerses the viewer in the story.

Mood vs. Tone

Mood and tone are two different elements of writing that are easy to confuse with each other, but they each carry out different functions. 

The simplest way to think about the difference between the two is that tone of writing is a characteristic of the author’s attitude or perspective, while mood is a characteristic of the method used to portray emotions.

Your tone is the attitude behind your words. It is your emotional color.

Your mood on the other hand is how you feel within. If someone treats you nicely, this can make you happy and increase your mood; if they treat you rudely, this can make you upset and decrease your mood.

Or how about when you walk into a room with lots of sunlight streaming in? That would usually make one feel happy, but if there was a thunderstorm outside and lightning flashing through the window, that could also raise one’s mood.


Why Is Mood Important In Writing?

What effect does writing style have on the reader? There are many factors that affect the mood of writing. 

The choice of tone, diction, syntax, and figurative language that a writer uses all contribute to a writer’s tone and mood.

Each author has a certain way of writing about an event or thing. Mood is an important element of all forms of writing. Tone is particularly important to advert writers.

A mood is created and repeated with each word choice an author makes. Polite language creates a polite mood, while offensive or crude language might evoke an angry response when the audience reads something.

The tone of the article will be affected greatly by the tone of each sentence.

Examples Of Mood In Literature

Stories and poems can emphasize a range of emotions. Broad categories that include horror, mystery, and comedy complement others such as humor and romance.

Mood is a literary term that refers to the psychological state of a character or narrator. While many literary elements such as plot, imagery, and character are used to convey meaning in written works, the use of mood is also significant.

The tone of a piece is also critical to assessing the writer’s purpose. Below are some good examples of mood in literature.

Examples Of Use Of Mood In Film

Mood, in film, is a catch-all term for whatever the filmmaker wants to convey. It encompasses everything from lighting, editing, and music selection to props, wardrobe, and set design.

Mood often has as much to do with tone as it does actual visuals. It’s interesting to note that mood can be either on purpose or accidental; some films have an intended mood that may not carry through to the audience due to lack of execution by production or post. 

Film and video are both visual media, which means that most people will know what you’re going for even if they don’t “feel” it. 

This means that someone fighting with a bad hair day who’s supposed to look glorious and beautiful but winds up looking sloppy and disheveled won’t always come across the way the director intends.

Have you ever noticed how some films use different moods to convey a certain message? An audience’s response can be strongly influenced by the atmosphere of films. The tone becomes the main force in a film’s development.

It allows one to determine whether a film is supposed to be funny, bitter, or poignant. Films such as Pleasantville learned how the atmosphere affects the audience by using an overly bright color scheme when depicting their world since they are usually unaware of such aspects of life in the real world. 

In Film Noir style films such as Chinatown, dark colors like blacks, blues and browns are used to portray the dismal mood of the characters and their environment.

What Is Mood In Fiction?

The dictionary defines mood as “a prevailing state of mind or feelings, emotion.” What is mood in fiction?  In fiction, mood creates feelings and colors our perception of the story world.

Without it, there can be no action, for what would be the point? Our heart skips a beat when we are frightened. Chills run down our spine when we are angry.


We laugh when we are happy. The novel is a living thing and like all living things it has a heartbeat—the rhythm that sustains and propels it to the next word, sentence, paragraph, chapter…and beyond.

Firsts, there are the moods — the atmospheric and stylistic effects created by setting, point of view, characterization, and dialogue. Then there are the moods themselves — sadness, rage, fear, boredom, happiness, and many more.

Finally, there is an author’s creation of the particular emotion that a character is experiencing at such and such a moment in the story. All of these things — and much more — can be described as mood in fiction.

The mood of a story can be light and fun, or dark and mysterious. It may feel mysterious and spooky, exciting and suspenseful, or emotional and romantic.

Examples Of Mood In Fiction

Have you ever read a book and thought, “how did the author do that?” 

This article has talked about mood examples and how they relate to plot, character development, and conflict. The writer describes the best way to develop mood in your novels. Along with writing tips on how to keep your plot moving without sacrificing detail.

Mood is an essential element to most stories. Moods vary from story to story, and readers rely on it to create the atmosphere and setting of their work. 

A romance is a good example of where mood is important. It creates the impression of fun, freedom, and spontaneity that fits within the setting of a romantic relationship.

Those three aspects are essential in any romantic story, as they make an impression upon the story.

Setting can have a significant influence over the mood of a novel. A writer can set the scene in just a few words, and simply describe what characters see.

However, by describing the weather, time of day, surrounding environment or landscape, and atmosphere a clearer picture will emerge of what the characters are experiencing.


What is Mood in Literature & Film — A Guide for Storytellers

What is Mood in Literary Terms?

First, let’s define mood in literature

It’s tricky to define mood in literature because there are two interpretations of the term. Both interpretations of mood are derived from the same etymology — old English mōd which translates to “feeling.” 

“Mood” can refer either to the atmosphere of a story or the emotional state of a character. Mood and emotion are heavily linked, but they aren't the same. In writing, there is a lot of overlap and the best writers (for fiction or film) understand that relationship and use it to tell more cohesive stories.

Now that we’ve broken down some conceptual differences between mood and emotion, let’s outline a formal mood definition.


What is mood?

A mood is a feeling that can refer to the emotional state of mind of a person/character or the atmosphere of a story. Mood is omnipresent in stories. In literature, mood is communicated subtly through the use of imagery, conflict, etc.; and explicitly through omniscient narration or dialogue. In film, mood can be communicated similarly – but it can also be communicated through the visuals and soundtrack.

Steps in Creating Mood:

  • Response to Stimuli
  • Expression of Emotion
  • Feeling as a Result

What is the Meaning of Mood?

Breaking down the mood meaning

So far, you can see that what we're talking about is rather abstract, amorphous and subjective. If mood is informed through emotion, and everyone has their own emotions, how do we even begin to execute these concepts? 

This next video from screenwriting guru Robert McKee explores the question: what is the difference between mood and emotion?

Mood of a Story  •  What is the Difference Between Mood and Emotion?

“The mood of any story, whatever it is, is there to make the emotional experience of the story specific. ” — Robert McKee. 

Think about the etymology of mood again and how everything references back to “feeling.” Mood is an atmospheric feeling; emotion is a personal feeling. McKee argues that in a story, mood is what makes the emotional experience (terror, euphoria, etc.) specific.

Mood Definition Literature

Tone vs mood explained

Tone vs mood — tone and mood are two terms that are often used interchangeably — but they don’t have the same meaning. There’s definitely some conjecture as to the applicable definitions of mood and tone but perhaps it’s helpful to think about this way:

Mood is what you feel from consuming a piece of art.

Tone is what the artist feels about the subject matter of their art.

Can you see how the mood definition and tone definition could lead down a slippery slope? There’s a whole lot of subjectivity in personal feeling and a whole lot of presumption in suggesting how an artist feels about their work.

There are cases where we can appropriately diagnose mood and tone though. Let’s look at an iconic example from George Orwell’s 1984.

What is Mood in Literature?  •  Crash Course Breaks Down ‘1984’

What’s the mood of 1984? How does it make you feel? I suppose it’s fair to say that 1984 is supposed to make you feel paranoid, fearful and depressed. But is that how Orwell wanted you to feel? Well, yeah pretty much.

In a letter written in 1944 addressing the second World War and the responsibility of artists to show the horrors of totalitarian states, Orwell said “I think, and have thought ever since the war began, in 1936 or thereabouts, that our cause is the better, but we have to keep on making it the better, which involves constant criticism.”

So, let’s diagnose the mood and tone in 1984.

Mood: fear and paranoia.

Tone: indicting totalitarianism.

Now, let’s break down some more mood examples in literature.

Types of Mood in Literature

Mood examples in literature

In literature, conflict and imagery are two essential aspects of building mood. Conflict is when two or more opposing forces work against each other. Imagery is everything that goes into building an image in the mind of a reader. 

Perhaps no American author was better at building mood than Edgar Allan Poe. This next video from TED-Ed explores why everyone should read Poe.

What is Mood in Literature?  •  Why Should You Read Edgar Allan Poe?

Poe is widely credited with creating the first modern detective story with The Murders in the Rue Morgue; which went on to inspire the mood of hardboiled fiction and some film noir. But Poe is perhaps most famous for his use of gothic imagery and the macabre. Many of Poe’s most famous works, including The Murders in the Rue Morgue and The Raven, were defined by their gothic imagery, macabre conflict, and sinister mood.  

Many contemporary critics argue that Poe’s best work is The Cask Of Amontillado – a short story about a man named Montresor who kills his rival, Fortunato. This next video from Course Hero explores why The Cask of Amontillado is such a great example of mood.

What is Mood in Literature?  •  The Cask of Amontillado Analysis

So, why is The Cask of Amontillado one of the greatest mood examples in literature? Well, let’s start with the imagery. Read this excerpt and pay attention to the image it creates.

“We went on, deeper and deeper into the earth. Finally we arrived at a vault in which the air was so old and heavy that our lights almost died. Against three of the walls there were piles of bones higher than our heads. From the fourth wall someone had pulled down all the bones, and they were spread all around us on the ground. In the middle of the wall was an opening into another vault, if I can call it that — a little room about three feet wide, six or seven feet high, and perhaps four feet deep. It was hardly more than a hole in the wall.”

How does this image make you feel? Probably a little grossed out right? Poe was a master of using imagery to evoke mood in the reader.

The second way Poe built his signature mood is through macabre conflict – or conflict that results in death or dismemberment. We see him use macabre conflict in A Cask of Amontillado when Montresor seals Fortunato in the wall – and in The Tell Tale Heart when the narrator kills their roommate and buries him underneath the floorboards.

If you’re planning on writing a novel or short story, consider building a mood like Poe does. You don’t have to focus on dark subject matter – you can try writing something antithetic to his sensibilities.

For example: why not swap out macabre conflict for intimate conflict? Why not build romantic images rather than gothic ones? You never know which strategy will work best for your story until you give it a go.

Mood of a Story in Film Explained 

Mood examples in film

Cinema offers a breadth of opportunities to build mood — through lighting techniques, production design, camera movement, diegetic sound and non-diegetic sound. One film that does an absolutely phenomenal job of building mood strictly through filmmaking tactics is The Artist.

Watch this next clip and think about how director Michel Hazanavicius builds the film-world with emotion.

The Mood Meaning in The Artist

How does this scene make you feel? Happy? Sad? Romantic? Why do you feel this way? Is it the swelling non-diegetic music? Is it the actors’ performances? Or is it the unique camera framing of the scene? Maybe it’s all of these things – and perhaps that’s the best explanation of what mood in cinema is.

Now let’s take a look at another clip from The Artist that represents a diametrically opposite mood.

The Mood Meaning in The Artist, Part II

How does the alternative use of sound change the mood of this scene? Well, I’d say that it makes us feel like something is wrong – it puts us into the mood of the main character, George, and incites a sense of paranoia.

Another way filmmakers can visually communicate mood is through the use of color theory; which can be used cinematographically with lighting – like it is in Blade Runner: 2049.

What is Mood in Literature and Visual Media?  •  Mood Examples in Blade Runner: 2049

How does the color in this image make you feel? Confused? Enticed? To me, the vibrant pinks and blues instill a sense of artificiality. And the fact that the man is left in the shadows confirms a feeling of loneliness and powerlessness.

There are many ways to generate this particular mood — i.e., there's no one guaranteed way to do it. When filmmakers are looking to strike a particular mood in their work, they might create a mood board or a lookbook to gather their inspiration. We imported a series of stills into StudioBinder’s storyboard creator software to generate a “lonely” themed mood board.

Follow the image link to explore the entire collection, including shots from Drive and Into the Wild, and download a PDF for future reference.

Filmic Mood Board, Made With StudioBinder’s Storyboard Creator

Notice how each frame features a single character? That’s because it’s a natural way to build a “lonely” mood. You may also want to consider the role that gazes and reflections play when it comes to mood. 

If you want to explore other works of Roger Deakins, check out our article on how to use lighting like Roger Deakins.

Let’s look at another image – this time from Stanley Kubrick’sThe Shining.

Mood Definition Literature and Film  •  ‘The Shining’ Creates Atmosphere & Mood

What’s the mood here? Does it look like a celebration? How do we know? Well, the characters are all dressed up; and some are smiling. The red chairs in the foreground draw our attention to a lively group in front of the camera – then to the bartender in back. In the middle, Jack seems solemn – which makes the mood a confusing mix of life and loathing. 

If you want to learn more about Kubrick’s film-worlds, check out our article on how to use color in mise en scene like Kubrick.

When planning out a scene in your own film, think about how different filmmakers use sound, visuals and color to communicate atmosphere and state of mind. Consider the audience and the experience you want them to have.


Create your own mood board

We briefly touched on the difference between tone vs mood, but there’s a lot more to it than what we went over here. Now that you have a better understanding of how important mood is in the overall storytelling experience, why not start by creating your own mood board? You'll be surprised at how quickly inspiration comes when you put one together.

Up Next: Create a mood board now →

Fa yeung nin wa, Hong Kong, France, China, 2000

Buy tickets


About the movie Cast Schedule Reviews (22) Similar

The Greatest of Melodramas

It was 1962. He and she lived in the same communal apartment. Neighbors played mahjong until the morning in the stuffy electric comfort, and as soon as you open the window, the warm air of spring Hong Kong created a special mood. Mood to fall in love. "It's nice to remember at sunset the love once forgotten" - this is just about the new film by Wong Kar-wai. The film is built on the same principles as memory works: at the forefront is not the objective hierarchy of things, but the Proustian superiority of the taste of cake over life's upheavals. The feeling called love is as ephemeral as memory. Wong Kar-wai made the greatest of melodramas, if only because he found the strength to recognize such qualities of love as the volatility and randomness of the choice of its object. And with the fuse of romance, which already seemed to have died out in the time of Aramis, reminded broken hearts of their lost tenderness. He conveyed a special mood through the film. Mood to fall in love. nine0003



Director Carvai

Duration of 38 minutes 38 minutes

Date of Outlet 20 May 20,0003

Date of exit in Russia June 2022

Age restriction14+



MAGGI ChUN, tons of leuns, tones of leuns Chuvay Rebecca Pan, Ping Lam Siu, Chen Tongcho, Kelly Lai Chen, Man-Lei Chian, Jian Siying, Po-chun Chow, Kam-wa Ku

Special Offers




    • Illusion




      of 300 ₽

      dated 1000 ₽

    • Moskino cosmos

    • ₽ 9000 ₽ 9000 ₽ 9000 ₽ 9000 ₽ 9000 ₽ 9000 ₽ 9000 ₽ 9000 ₽ 9000 ₽


      from 150 ₽

Most anticipated events

Films directed by Wong Kar-wai

14 96 3 90 5 films0003

Wong Kar-wai is the best thing that Asian cinema has given the world over the past fifteen years. After Wong Kar-wai, Hong Kong cinema ceased to be associated exclusively with the hand-to-hand fuss and ridiculous smile of Jackie Chan. An aspiring photographer and graphic designer, in the late 1980s Wong Kar-wai went into film and changed it forever. The scale of Wong Kar-wai's influence on film language in the 1990s is comparable to Godard's influence on cinema in the 1960s (and like Godard, ironically, he never takes off his sunglasses in public). Until the Tears Dry, Happy Together, Chunkin Express, Fallen Angels - his neon-lit smoky melodramas about sad people with and without guns, lost in street traffic - no matter Hong Kong or Buenos Aires - they cut without a knife: it seemed that after Wong Kar-wai, one could no longer shoot about love. It seemed until 2000, when In the Mood for Love came out. After "Mood" - this is practically a fact. nine0003 Tickets

Chungking express

1994, tragicomedy

of the time of

1994, militant

Happy Together

1997, Drama

Fallen Angels

1995, Drama

1990, Melodrama

20000 9000 9000 9000 9000 9000 9000 9000 9000 9000 9000 9000 9000 9000 9000 9000 9000 9000 9000 9000 9000 9000

2004, Fantasy

Until the Tears Dry

1988, Melodrama

My Blueberry Nights

2007, Melodrama

Great Master

2013, Biography



2004, melodrama

Each has its own cinema

2007, tragicomedy

The Ferryman

2016, Melodrama

2004, Short

2001, short


Rezen "Afisha.

”for the film “In the Mood for Love”

Alexei Vasilyev

908 reviews, 923 ratings, rating 1621


It was 1962. We lived in the same communal apartment, met in the evenings in line for noodles. Her (Chun) husband disappeared on business trips abroad, and she spent her evenings at the movies. His (Leung) wife would disappear on business trips abroad, and he would stay up late in his office. Neighbors played mahjong until the morning, and as soon as the window was opened, the warm air of Hong Kong in spring evoked a special mood. Mood to fall in love. nine0003

“It's nice to remember at the hour of sunset the love that was once forgotten” - this is about the film by Wong Kar Wai. It is built on the same principles as memory works: at the forefront is not the objective hierarchy of things, but the superiority of momentary impressions over life shocks. All the women in the film wear dresses of the same style, the only one that has kept the memory of the hero from the fashion of those years. But the pattern on the heroine's dress can, as in a fairy tale, suddenly change in the same scene, obeying a change in emotion. The feeling called love is as ephemeral as memory. Wong Kar Wai made the greatest of melodramas, if only because he found the strength to recognize such qualities of love as the volatility and randomness of the choice of its object. Traveling back in time to a past of ending love, Wong Kar Wai reminds broken hearts of lost tenderness with a touch of romance. Brings a special mood. Mood to fall in love. nine0003

May 12, 2007

Best reviews of the film "In the Mood for Love"


Yegor Korolev

371 reviews, 702 ratings, rating 865

9The kettle is already boiling. Right

At the 10th minute you realize: this is a masterpiece. At the 20th minute, you understand: you will copy it to a computer and you will revise it, as for the first time, noticing all the new details and admiring the old details. I want to sing this music, repeat the movements of the characters' hands.
This is not a movie - this is life. Exactly with this outcome. Love. That's how it appears by chance, that's how it flows and that's how it is remembered. After all. nine0167 Kar Wai is able to make a prosaic food trip beautiful. And how she raises a handkerchief to her forehead !!! The Siemens clock is ticking. One frame in the restaurant: the camera first pans to the left of the sofa, and then leads to the heroine. And these plates, idiotic neighbors (what a metaphor and a true grin on all of us), rehearsals, a champing husband, a fan, dresses, yellow flowers on a dress and yellow flowers in a vase, fabrics, Quizas by Nat King Cole, the title music Shigeru Umebayashi, music by Michael Gallas…
Was it my imagination, or was she going to pour the contents of the glass on her neighbor's head?
Composer, screenwriter, director, actors, cameraman, stage designer, costume designer.. fine work of the entire film crew.

Phil is a genius with his combination of simplicity and wisdom. Just one example of dialogue:
- Your wife is in Japan
- How do you know?
- What does she write in the letter?
- Nothing special

It's like falling in love with a person. Immediately, in a moment, admiring the fingers, wrinkles and dimples. Only now a person will leave someday (the mood will leave), but Kar Wai's masterpiece will remain. Forever. Slightly to the side, like a boiling kettle on the right in the frame. So that at the best and worst moments of your life, approach this side at least behind one frame. nine0003

March 8, 2009


2 reviews, 3 ratings, rating 17


The film leaves a mark on the soul. In it, the director touched on the topic of adultery that concerns many, with his characteristic ability to turn a banal plot into a unique one. Throughout the film, we observe how abandoned spouses living in the neighborhood perceive betrayal - Tony Leung and Maggie Cheung (I don’t remember the names of the characters, so I write the names of the actors).
Wong Kar-Wai very subtly and deeply conveyed the experiences of the characters. He succeeded in this thanks to increased attention to detail, which he emphasized with a constant play of light and shadow, as well as frequent camera stops on specific objects - this could be a look expressing pain and sorrow for a departed love; something incessantly fingering hands, conveying excitement; just cigarette smoke or curtains fluttering in the wind ...
There was a minimum of words in the film, but each phrase is composed so skillfully that any one can be mistaken for a ready-made quote. Here are some of them:
1. "If you pay attention to things, you begin to notice them."
2. “I don't want to waste time thinking about what I did wrong. Life is already very short."
And here's another one:
3. “Everything that was in the past is gone. It doesn't exist anymore. He remembers those bygone years, as if looking through a poorly washed, cloudy window pane. Something seems to be visible, but vague and unclear. The past is something that can be mentally seen but not touched.” – To be honest, I have a desire to learn this quote by heart! Very poetic. nine0167 Now I want to talk about music. She kept a constant psychological stress. The soulful melody of the violin against the background of heavy chords in the rhythm of the waltz was the main musical theme, it made it possible to truly feel the pain of the heart. My bow to Michael Jalasso and Shmer Umebayashi, I'm digging on the Internet in the hope of downloading the soundtracks from the film.
I also note how accurately Wong Kar-Wai conveyed the atmosphere of the 60s in his film. The spirit of the 60s was present in everything - interiors, music, colors, clothes ...
Here is, in fact, my opinion about the film. Of course, I can talk about it much longer, but I do not want to bore readers. I hasten to bow out! :)

May 8, 2008


23 reviews, 45 ratings, rating 45


Not yet love, just a premonition of love. Her light breath. A barely perceptible wave of wings in the air.
No longer love, only the memory of it. A bittersweet secret that can't be trusted with anyone. nine0214

Wong Kar Wai tells an amazingly beautiful story about failed love. About love, which never knew disappointments, did not turn into everyday life, into rough everyday life, stupid banality.
Slow, viscous, like a honey-sweet drop, shots. Music that seems to dissolve in the southern night, in the light of the lights, in the pattern on the silk fabric of the dress ... The storyline is important: this is just a convention. Details imprinted with a tenacious memory are important.
Bright pattern on her dress. His helpless gaze. Stuffy smoke of a street cafe. Warm summer rain. Her porcelain face, illuminated by a night lamp. His tired posture. Barely perceptible fragrance. Thick cigarette smoke. Her thin wrist. Reflection in the mirror. Noisy neighbors behind thin walls. Relentless clock hands. nine0167 Kar Wai saturates inconspicuous everyday details with meaning, color, aroma. The picture is made up of halftones, penumbra. Like an impressionist painting. If you get too close - only colored spots, just a few steps back - and the openwork towers of the cathedral stretch up in the rays of the setting sun ...

July 22, 2009

Aya Aya

This is a great movie!

To be honest, I somehow don't really like the films of oriental directors, but this film amazed me....

December 30, 2011

Screw Velikaja

17 reviews, 986 ratings, rating 10


November 19, 2011

All reviews

Films of cinematographer Christopher Doyle


Christopher Doyle

70 years, films: 32

A rebel cameraman of Australian origin who spent most of his life in Asia. Without graduating from the University of Sydney, where he studied as an art critic, he went to travel and gain experience. His universities are jobs in India and the Norwegian merchant navy (Doyle says the rocking on the ship influenced his shooting style). He also had to visit a shepherd in an Israeli kibbutz and a doctor of Chinese medicine in Thailand. He made a huge contribution to the work of major Asian directors. In his piggy bank films by Wong Kar Wai and Zhang Yimou ("In the Mood for Love" brought the cameraman the technical Grand Prix at the Cannes Film Festival, and "Hero" - the status of a visionary), cooperation with Zhang Yuan and Peter Chan. He also shoots for American directors, including Jim Jarmusch, James Ivory, Gus Van Sant, Jon Favreau, and others. He calls himself the "Keith Richards of cinematography." Like a rock star, Doyle also often makes outrageous statements - including criticizing colleagues and directors. He also likes to improvise and has a bright and avant-garde shooting style. For example, the famous last frame of "Limit of Control" was due to the fact that the operator, walking along the escalator, accidentally stumbled and fell with the camera. nine0003 tickets

Chungking express

1994, tragicomedy


2002, militant

Quiet American

2002, Drama

Plants of

1994, Action


2009 Games Passion


2010 Thriller

Happy Together

1997 Drama

Fallen Angels

1995 Drama

Wild Days

1990 Romance 9002


2006, mystical


1998, mystic



My blueberry nights

2007, melodrama

is too beautiful for you



2007, thriller

Director Give

2007, Comedy


2004, Melodrama

"In the Mood for Love" materials

February 21

"Afisha" will hold a special screening of "In the Mood for Love" by Wong Kar-wai

July 1

Wong Kar-wai's "In the Mood for Love" will be screened in Russian cinemas

April 15

Wong Kar-wai, festival hits and novelties: Garage announces Garage Screen summer cinema program

Movies in the mood: a guide to directors


1 A practical guide for those who choose a movie according to their mood. Do you want a beautiful picture or powerful special effects? Or maybe today the mood is to think about the eternal? We tell you which director to choose if you want something special. nine0003

Wes Anderson

If you want: A beautiful picture

What to watch: The Grand Budapest Hotel, The Tenenbaums, Rushmore Academy, Full Moon Kingdom, Darjeeling Train. Desperate Travelers

Darren Aronofsky

If you want: Philosophical plots

What to watch: Requiem for a Dream, Mom!, Black Swan, Fountain, Wrestler, Pi »

Christopher Nolan

If you want: Intellectual blockbusters

What to watch: The Dark Knight, Interstellar, The Prestige, Inception, Dunkirk, Tenet

Quentin Tarantino

: Dialogues and unique gore scenes

What to watch: Pulp Fiction, Kill Bill, Django Unchained, The Hateful Eight, Once Upon a Time in Hollywood, Inglourious Basterds

Alfonso Cuarón nine0045

If you want: Long one-shot scenes

What to watch: Gravity, The Little Princess, Roma, Great Expectations

Woody Allen

If you want a tragic comedy scene:

What to watch: Annie Hall, Midnight in Paris, Jasmine, Match Point, A Rainy Day in New York, Manhattan, Love and Death

David Fincher

If you want: Dark stories

What to watch: Fight Club, Seven, The Curious Case of Benjamin Button, Gone Girl, The Game, Munk, The Social Network, Zodiac, The Girl with the Dragon Tattoo

David Lynch

If you want: Mystics and intricacies

What to watch: Mulholland Drive, Highway to Nowhere, Wild at Heart, Blue Velvet, Inland Empire 9002

Edgar Wright

If you want: Cheers from the "genius of comedy and humor"

What to watch: Hot Hop, Scott Pilgrim vs. The World, Baby Driver, Shaun the Zombies

Nancy Myers

If you want to: Laugh and cry


4 What to watch: What Women Want, Exchange Vacation, The Intern, The Parent Trap, Love with Rules and Without Rules

James Cameron

What to watch: Terminator, Titanic, Avatar, Abyss, True Lies

Lars von Trier

If you want: Expressionism, provocation and unique style

What to watch : "The House That Jack Built", "Melancholia", "Nymphomaniac", "Dogville", "Dancing in the Dark"

Martin Scorsese

The Wolf of Wall Street, Shutter Island, The Departed, The Irishman, Gangs of New York, Taxi Driver

ZA Snyder

If you want: fantastic militants

What to watch: "300 Spartans", "Keepers", "Night Guardian Legends"

Stanly Cubck

12 If you want: Symmetrical and forward plans, tension and classical music

What to watch: 2001: A Space Odyssey, The Shining, A Clockwork Orange, Barry Lyndon, Eyes Wide Shut

Tim Burton

If you want: Gothic Mad Tales

What to watch: Edward Scissorhands, Corpse Bride, Sleepy Hollow, Frankenweenie, Miss Peregrine's Peculiar Children

Hayao Miyazaki

If you want: Anime Classics

What to watch: Spirited Away, Howl's Moving Castle, My Neighbor Totoro, Castle in the Sky, Princess Mononoke 0375

Alejandro González Iñárritu

If you want: Heartbreaking dramas from the "Hollywood King of Pain"

What to watch: Birdman, The Revenant, Beautyful, Babylon, Love Bitch

Denis Villeneuve

If you want: Science fiction, well-developed characters and crime

What to watch: Captives, Blade Runner 2049, Arrival, Killer, Fires

Michael Bay

If you want: Explosions, explosions and . .. explosions

What to watch: Transformers, Pearl Harbor, The Island, Armageddon, Bad Boys

Guy Ritchie

If you want: A crime comedy from the genius of this genre

What to watch: The Gentlemen, Snatch, Cards, Money, Two Smoking Barrels, Sherlock Holmes, King Arthur: Sword of King Arthur

Garry Marshall

If you want: Laugh and believe in love

What to watch: Pretty Woman, Frankie and Johnny, How to be a Princess, Valentine's Day, Bad Ladies

Paolo Sorrentino

If you want: Bright and sensual images and beautiful life

What to watch: Great Beauty, The Consequences of Love, Youth, Loro, Wherever You Are

Ridley Scott

If you want: Action with cyberpunk elements

What to watch: Gladiator, Alien, Gangster, Martian, Blade Runner

Francois Ozon

If you want: Postmodernism and women in the foreground

What to watch : 8 Women, In the House, Prelude, Raindrops on Hot Rocks, Goodbye Time

Pedro Almodóvar

What to watch: Talk to Her, All About My Mother, Pain and Glory, Return, Broken Embraces, Women on the Verge of a Nervous Breakdown, The Human Voice, Skin, in which I live"

Steven Spielberg

If you want: Variety of genres and quality performance

What to watch: Catch Me If You Can, Schindler's List, Terminal, Saving Private Ryan, Lincoln , "Secret File", "Bridge of Spies", "War Horse", "Indiana Jones and the Last Crusade", "Jurassic Park", "Minority Report", "Jaws"

Luc Besson

If you want : Chanting of women and the cult of weapons

What to watch: Leon, The Fifth Element, Deep Blue, Angel-A, Joan of Arc, Malavita


Learn more